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Classical Guitar Technique from the Masters by James Hunley, Los Angeles Classical Guitar Teacher | ![]() |
On these pages you will find the agreed upon ideas taught by Aguado,Sor,Carcassi, Tarrega, my dear friend Pepe Romero and many other contemporary schools of guitar. I have borrowed, stolen, overheard and researched these techniques over the last 30 years of studying and put them to the test for 19 years of my own concertizing. In return for any knowledge you may get from these pages my only request is that you perform one act of random kindness. blessings to one and all if you want to call about lessons you can reach me at 323 464-3766 or cell at 323 447-8517 James Hunley PEPE ROMERO ON THE RIGHT HAND ALL FINGERS SHOULD HAVE THE SAME CURVATURE AND THE FINGER TIPS SHOULD BE EVEN ON THE STRINGS (WITH THE SAME AMOUNT OF FLESH AND NAIL CONTACTING EACH STRING)! "In playing, the motion of plucking the strings Should be all in the fingers not in the arm or palm! The right hand should not bounce with the movements Of the fingers nor should the hand be moved up or away from the string during the fingers strokes by lifting the forearm or moving the wrist" |
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| Relxation after each movement is the ultimate salvation of your facility |
Live concert photo in Florida You can contact James at 323-464 3766 |
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Notice Tarrega's Parallel Left hand and parallel right hand Position were trackig this site and updating the new counter bi weekly |
The left hand moves diagonally to the body and parallel the neck and to the strings. This position should NEVER be altered, nor should useless strain and contractions be allowed to impede its elasticity. Contact Tuscany publications for Pepe Romeros works and their many excelent publications for the Guitar.I thank them for their wonderful work. |
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